For Star Wars: Episode II - Attack of the Clones (2002), there were to be many more visual effects than in Star Wars: Episode I - The Phantom Menace (1999). This documentary shows many VFX meetings between George Lucas and ILM. Many of these meetings focus around the creation of a completely digital Yoda, used for the first time in the Star Wars films.

A weekly medical drama series based in the fictitious hospital of 'Glanhafren' in Cardiff, Wales.

A modern story of Commedia dell'Arte's Pierrot and Columbine.

In a subterranean dystopian future, an ultra-conservative dictator has eradicated gender equality and made life miserable for anyone unlucky enough to be female.

In a subterranean dystopian future, an ultra-conservative dictator has eradicated gender equality and made life miserable for anyone unlucky enough to be female.

Documentary about the invention of MORF, the program for morphing, which was created for the film Willow (1988).

Aníbal is a millionaire, knowing that he is going to die, invites a group of relatives and friends to stay at his luxury hotel. They are all linked to a mystery of their past. Some will be rewarded with inclusion in the will; others will be punished. To know who was his real friend and who harmed him, Aníbal starts to manipulate everyone, as if they were puppets.

A documentary told from the voices of the "second golden age" of animation in the 1990s and 2000s about the rise, fall and rise again of hand-drawn animation. They were trained by animation masters that created the principles of animation, they took animation to heights no one dreamed of - and then came the computer.

This program features three digital short films by Asian filmmakers. Singapore veteran filmmaker Eric Khoo's NO DAY OFF (39 min) records the life of a maid who leaves her husband and baby for Singapore. Darezhan Omirbayev's ABOUT LOVE (38 min) is a bitter love story based on Anton Chekhov's novel, in which a lonely math teacher falls in love with her married university classmate. Pen-ek Ratanaruang's TWELVE TWENTY (30 min) depicts the encounters of a man and a woman on a long haul flight, where they spend the next twelve hours and twenty minutes reading, drinking, eating and watching movies and sleeping by each other's side, as if they are a married couple.

The protagonist of the novel is a woman. The main theme is freedom. At the very beginning of the play, Vera Pavlovna utters a text that becomes the manifesto of her life: “I want to be free, I do not want to be indebted to anyone, I do not want anyone to tell me: you must do this for me! I want to do only what I want. And let others do the same; I don’t want to demand anything from anyone, I don’t want to restrict freedom and I want to be free myself. ”